. Pumpkin sits in a patch somewhere between mirthless Todd Solondzian satire and callow student film.. Relentlessly, and sometimes brilliantly, it forces us to decide what we really think, how permissive our taste really is, how far a black comedy can go before it goes too far.. Though Harris is affecting at times, he cannot overcome the sense that Pumpkin is a mere plot pawn for two directors with far less endearing disabilities.. The majority of the film is original and engaging, and Christina...
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